Ryan Price and the Media

Greg and John, and someone else... maybe the tech?

Two years ago, John Valines and the Rickshaw Boy crew won the Fringe of the Fringe Award - last year they gave it to Blogging Fringe. Radio Rickshaw is a long-running podcast here in Orlando with a small network of shows, and a barbershop quartet.

Also hosting this episode is Greg Barris from the Heart of Darkness Rock and Roll Circus. I actually don't know much about Greg, except he used to live in Orlando, and he was involved with SAK Comedy Lab. His show was part monologue and part stand-up comedy, and it was pretty good.

Sometime during the week, I bumped into John and Greg with the Marantz recorder interviewing folks, and they talked to me a bit. I talk about Twitter, USB Humping Dogs and Fringe Shows, and I might be on mushrooms.

Radio Rickshaw Episode 62: Fringe 2008

Listen to the show.

As it is every year, we post dozens of articles on this site, and everyone reads the Sentinel blog... I love what they're doing over there, I just wish we had a little of their budget, standing in the community, or the built-in reputation that you get from being a year-round player in this game. If I could pay five seven bloggers, this would be a different world indeed.

As long as you're comfortable with using your real name (and everyone should be by now), you can go participate in some of the conversation over in Maupin-Land, a magical place where they've never heard of video or photos.

The best conversations every year take place at the Attention Must Be Paid blog, and there are invariably a few posts with dozens of comments, like this one entitled "From the Fringe: What's Good?" (24 comments). Then there's one that's pretty much the same idea called "What's Fab about the Fringe?" (15 comments) -- I fail to see the difference between the two posts.

Other posts have garnered between 4 and 6 comments, like the reviews of When Pigs Fly, The UnNaturals, Tod Kimbro, Blues: A Handbook for the Future Homeless, and of course Galapagos, which appears to be this year's "best kept secret".

Actually, I'm surprised we don't have an 80-comment war happening - maybe they've lost their edge. We never had it to begin with, it seems.

Sure, the Sentinel claims to have a "Complete Fringe Festival Coverage" page, but all they did here was repurpose the same content they created somewhere else (and often not for Fringe), and they don't even fit all the reviews on one page.

I know they are working with archaic technology, but if you've got the budget to hire 8 people to write about it, can't you get Danny to post a list of all the reviews on one page?

I had some big plans for this year's Blogging Fringe, but they had to be put on hold while I figure out how to have a full-time job and be "that guy" at the festival. Also, helping out with the actual Fringe website took a few of my ideas and gave them back to the festival, which is as it should be. With any luck you'll notice Blogging Fringe coming out of the beta-testing period next year with a critical extra feature that I guarantee the Sentinel and the Weekly wouldn't touch with a 10-foot pole: publicly editable pages for all the shows so we can have all the videos, links to reviews editable by anyone so we can have a for-real community site.

Actually, next year, there may be a completely different concept out there, but that depends on several factors and some collaborations I have in the works with Katie Ball. Look for some fun stuff on the horizon.

Why is May such a great month for holding events? Sure, for our Northern friends, it means the end of bad weather, the opening of roller coaster parks, and a change in the scenery as the trees and flowers start to show their summer colors, but here in Florida, it's more like the start of the summer's hot, humid, rainy monotony, the arrival of the tourists, time-share owners, kids on summer vacation, religious zealots protesting Gay Days, and of course, bad drivers in rental cars.

The main reason I look forward to May every year is the arrival of the Orlando International Fringe Theatre Festival (Thursday the 15th through Monday the 26th). Every year, theatre companies, dancers, comedians, clowns, musicians, improv actors, writer/directors, solo acts and large ensembles, exuberant teenagers and road-hardened veterans alike grace Loch Haven Park with their creativity and energy, and Orlando gives every ounce of it (and more) back to them as many of the national and international acts begin their Canadian Fringe circuit, which brings them to a new city every two weeks. Show prices range from free (as in free software) to $10, and all shows require the one-time purchase of a $6 festival button - 100% of your ticket money goes to the artist. This is one of the only unjuried, uncensored events I know of in Orlando outside of a few open-mic nights, and even some of those are passing judgment on the performers (the other best example here is BarCamp).

18 months ago, I started gathering a group of my friends together every third Monday of the month for an event called Florida Creatives Happy Hour (Monday the 19th, 6PM @ Loch Haven Park). Now, those original 8 friends are hardly in the same room, but the group has grown to something resembling a small political party representing the creative professionals and hobbyists here in Central Florida (with a group getting started in Jacksonville as I write this). This month's Florida Creatives falls during the Fringe Festival, so at 6PM on the 19th we will be descending upon their "Green Lawn of Fabulousness" to have a beer and some soul food and socialize. At 7:45, we will be attending American Squatter, starring Barry Smith, the creator of last year's sell-out hit Jesus in Montana. Tickets are $10 plus your $6 Fringe button.

Despite the fact that Fringe starts on the same day every year, another festival seems to think they are better than the Fringe, by starting on the exact same day. Yes, the Florida Music Festival runs Thursday the 15th through Sunday the 18th this year, at pretty much every available venue downtown. In past years, you've been able to buy a one-time pass that gets you in to all the shows for the whole weekend, as well as nightly passes - buying a ticket to just one show will hardly do such an event justice. The festival also has a short film as well as an art contest, check these out too if you can find the time in between all of the other events happening at the exact same time.

What other events? How about that bizarre craft bazaar held semi-bi-anually at Stardust Video & Coffee, Grandma Party? (Saturday the 17th, 10AM to Sunset) For some reason they opted out of celebrating Earth Day in favor of overlapping with FMF and Fringe this year - the reason why is left as homework for the reader. Actually, if you find out, please try to explain this one to me too. At G-ma Party, you'll not only find loads of handmade goods, like the cereal-and-eggs inspired work of the Breakfast Bunch, but trendy t-shirts, buckets of buttons, live music by some of Orlando's best local bands (at least those who are friends with the festival organizers), a bal-looney community pool, and of course rummage piles and raffles.

Not as culturally significant, but still worth a mention, the second ever Florida Drupal User Group meeting will be held at the offices of MindComet in Maitland this Saturday (May 17th, 1PM). Check out the event and any follow-up at groups.drupal.org/florida.

Still more to come in this round-up of events, because I couldn't write such a blog post without mentioning the Corazon Art and Music Festival being held at the Orlando Brewing Company (Sunday the 18th, starts 1PM, All Day). As I'm writing this I don't have access to any listings, but I know tickets are $5, and I can give a serious recommendation, as this event is being thrown by Robert and Jonathan from Gamble Records, the folks who brought us the ELLA Music Festival in October. I expect you will see lots of singer-songwriter type acts, and you can trust Robert Johnson's rolodex to bring you some great music (and art?).

There must be more happening during the next two weeks, but isn't that enough? Of course, we can't forget about this Friday (May 16th, 8AM-11AM) and the Likemind Orlando coffee meetup at the Lake Eola Panera Bread. This month there will be free coffee and hopefully a few free copies of a book called Murketing - I don't have a lot of details about it, but I know the publishers of the book are sponsoring the coffee and snacks all over the US, so they get serious props.

If I'm missing anything here, please leave a shout-out, and I'll try to include it in the next bulletin. Until next time, have a great May!

My friend Jake called me a few days ago to tell me he will be teaching a User Interface Design class at Ferris State University in Grand Rapids, MI next Fall. After my congratulations, he asked me to help him pick out a textbook for his students. Here were my suggestions:

Universal Principles of Design - William Lidwell, Kritina Holden, Jill Butler

I loved this book from the moment I picked it up and learned why the iPod makes us happy - it's the Golden Proportion, or the Golden Rectangle, as some might say. Then, at the bottom of that page, you get "links" to some other design topics you may find helpful when discussing the Golden Proportion, like The Rule of Thirds. Anyone who designs anything, from software to hardware and anything between, needs a copy of this book.

I told Jake to have a copy of this book around for the class to reference, but I wasn't sure if they all needed one.

Beautiful Evidence - Edward R. Tufte

This is the one book out of these three that I don't own... yet. I saw this in the book store while searching for a book about Processing, so you can also find it near the graphics books. Information Design is the name of the game, and Mr. Tufte has some of the most beautiful and useful designs you will ever see. He even goes in to how they displayed and photographed some of his sculpture outdoors. Absolutely breathtaking.

This book would be a great resource for a Level II UI Design class, but I think it is perhaps too detailed for beginners.

Design Whys: Designing Web Site Interface Elements - Eric Eaton

I've heard a lot of folks tout Don't Make Me Think as the bible to user-interface design for the web. Honestly, the title and presentation of this book drew me in a little deeper when I was buying it a few years ago.

Since my friend was looking for a book about UI Design, I found this on my shelf and made my final recommendation to use Eric Eaton's book for his class.

Design Whys starts out by telling you what this Interface Design stuff is all about, and walks you through specifying and planning a project. Then you get an introduction to the common UI elements: links, buttons, form elements; what makes a link clickable, colors, designing for different browsers and devices, why use a link vs. a button, basic typography. The section on Advanced Interface Elements breaks us out of what's normally possible on the web to cover things that would now be considered AJAX-y forms, applications, metaphorical interfaces, and custom or experimental UI elements, like those created with DHTML, Flash or 3D.

After the first 200 pages of the book, he launches us into a case study of some useful websites (at least as they were in 2003). The sites in the book are no less useful, beautiful, or innaovative than they were 5 years ago, though. It's interesting to take a look at what folks were doing back then that the world still hasn't caught up with. We seem to be constantly wanting to homogenize the experience (maybe I'm guilty of that as well). There's room to be daring on the web, and I don't mean large fonts, pastels, and rounded corners.

I hope Jake takes my suggestions to heart and picks the best candidate. If you have a UI design book you swear by, or you have a comment or question about one of these books, I'd love to hear it.