Warhol’s Amiga experiments were the products of a commission by Commodore International to demonstrate the graphic arts capabilities of the Amiga 1000 personal computer. Created by Warhol on prototype Amiga hardware in his unmistakable visual style, the recovered images reveal an early exploration of the visual potential of software imaging tools, and show new ways in which the preeminent American artist of the 20th century was years ahead of his time.

Collaborative work organizations: How organizations with a focus on the arts, entrepreneurship, and creativity join forces toward more productive ends for all; Creative campuses: New models for thinking about higher education at the intersection of creativity and entrepreneurship; and New funding models: Innovative ways of funding arts-based businesses. Each of these themes reflects current research and practice at the intersection of the arts and business and is part of a larger movement toward thinking about deep connections across fields.

Your own miniature slideshow. Sign in with Instagram and pick nine of your favourite images. We develop them on to a single frame of 35mm slide film which is inserted into a small black wheel. Your Projecteo and wheel of images will arrive together in the post.

we have the opportunity to be part of one of the most exciting and monumental public art installations in recent memory - world-renowned artist Janet Echelman's biggest public sculpture yet. At 700 FEET in length, this massive aerial sculpture will be stretched and suspended from the roof of the Fairmont Waterfront Hotel and the Vancouver Convention Centre. The project is being timed in conjunction with the celebrated 30th Anniversary of the TED Conference, this year held in Vancouver B.C., where Janet is speaking.

The play, based on a dialogue that Havel wrote in 1987, is a shaggy-dog tale about his attempt to put together a zabíjačka (a traditional Czech pig roast) for his dissident friends, framed as an interview with a clueless American journalist. As he tells the comic tale, he provides veiled commentary on everyday life under Communism, disguising it so that it can slip past the ever-present censors. Acclaimed Czech director Vladimír Morávek rediscovered the piece and, together with Havel, combined it with sections from Smetana's operetta, The Bartered Bride.