Live Active Cultures - Visual & Fine Arts - Orlando Weekly
Just the description alone – “an experimental performance by Jessica Earley featuring hyperbole, puppetry, dance, awkwardness, honesty and video projections to tell a story about heartbreak and healing” – was enough to conjure images of the kind of experimental performance art that was all the rage 40-plus years ago, but too often earns eye-rolls from today’s cynical audiences. “Hyperbolic” seems like the last adjective one might apply to the demure Earley, who I previously knew mostly through her visual art and past collaborations with performance artist Brian Feldman.