In the past, it was all so easy. When you bought a theatre ticket, you could be pretty confident that you would sit in a row with other people, watch the play in the dark and clap at the end. The fourth wall ensured that was all you had to do. No longer. Audiences are increasingly asked to be participants or collaborators; to take part, sometimes to follow instructions, and occasionally even to have agency. One of the fascinating things about Bordergame is that online participants apparently have the power to control the theatrical game and make decisions that change outcomes.

The first personals were Missed Connections, London, 1727-48 ads hovered on the edge of respectability because they were public, and could be seen by all and sundry.

Rasmus wrote PHP with the idioms of "US English" PHP developers in Britain have been grumpy about this ever since. What was he thinking? And more importantly, how do we undo this travesty? How do we developers ensure the traditions of the British Empire continue to be upheld, even in the digital age?

Listening without speaking alludes to eavesdropping and the covert monitoring of communications. The audience can influence the clarity of the message by adjusting the controls on the machine, giving a physical side to the sense of searching and trying to hang on to the messages. However, the piece includes the deliberate design of interfering with the descrambling process to cause the gradual degradation of the audio so that the messages eventually become engulfed in machine noise before cutting off suddenly to silence.