bloggingfringe

expanding TU’s national and international reputation in arts and communication. The students had an amazing opportunity to share their work and learn from artists from across the globe.” Developed and staged in collaboration with renowned scenographer Venelin Shurelov and his partner, costume designer Elica Georgieva, “Post-Everything” was inspired by an article about post-humanism. “We wanted to explore the idea of the “tech-hybrid human,” said Rebekah Lane, a member of the troupe that also included fellow MFA students Kevin Becker

expanding TU’s national and international reputation in arts and communication. The students had an amazing opportunity to share their work and learn from artists from across the globe.” Developed and staged in collaboration with renowned scenographer Venelin Shurelov and his partner, costume designer Elica Georgieva, “Post-Everything” was inspired by an article about post-humanism. “We wanted to explore the idea of the “tech-hybrid human,” said Rebekah Lane, a member of the troupe that also included fellow MFA students Kevin Becker

the absolute and vital component to any fringe's success rests in a city’s many different communities collectively feeling that it belongs to them.

the absolute and vital component to any fringe's success rests in a city’s many different communities collectively feeling that it belongs to them.

Sentinel theater critic Elizabeth Maupin’s first published review from the festival was quintessentially Fringe: “When you think of clowns, you rarely think of severed limbs” began her positive write-up for the clowning comedy of Toronto duo Mump & Smoot. The first festival impressed Sentinel entertainment columnist Commander Coconut, who summed up the fun this way: “What we saw we liked, and it’s always good to see lots of people in downtown Orlando, especially weird people.”

Sentinel theater critic Elizabeth Maupin’s first published review from the festival was quintessentially Fringe: “When you think of clowns, you rarely think of severed limbs” began her positive write-up for the clowning comedy of Toronto duo Mump & Smoot. The first festival impressed Sentinel entertainment columnist Commander Coconut, who summed up the fun this way: “What we saw we liked, and it’s always good to see lots of people in downtown Orlando, especially weird people.”

Sentinel theater critic Elizabeth Maupin’s first published review from the festival was quintessentially Fringe: “When you think of clowns, you rarely think of severed limbs” began her positive write-up for the clowning comedy of Toronto duo Mump & Smoot. The first festival impressed Sentinel entertainment columnist Commander Coconut, who summed up the fun this way: “What we saw we liked, and it’s always good to see lots of people in downtown Orlando, especially weird people.”

The Weekly was always supportive of the Fringe, but in the third year of the Fringe, I think I had heard that a conservative religious radio station had been warning its listeners about the Fringe, while the Weekly ran a headline "Fringe a forum for Religious Right" because of a production of an anti-abortion-leaning play. That was the best and the worst – to have ALL sides of our community offended, but to have all sides of our community OFFENDED.

The Weekly was always supportive of the Fringe, but in the third year of the Fringe, I think I had heard that a conservative religious radio station had been warning its listeners about the Fringe, while the Weekly ran a headline "Fringe a forum for Religious Right" because of a production of an anti-abortion-leaning play. That was the best and the worst – to have ALL sides of our community offended, but to have all sides of our community OFFENDED.