They’ve “pivoted,” exchanging one set of advantages for a different set. Let me explain. The Walker has long been seen as an important place for contemporary art. They’ve staged groundbreaking exhibitions that have traveled far and wide. They’ve also had a rich programming history. Up until now, on their website and elsewhere, what the Walker was doing was always central and was broadcast outward to spark new conversations about the art and ideas around it. This is the model that most museums follow on the web.

Proof that video games are art isn't just on the screen. Sometimes it can be right in front of you, in the form of an arcade classic that swallows a whole room or tricked-out gloves that let you throw a Street Fighter fireball. The video game art that viewers saw at the recent Babycastles Summit—along with a controversial hacked NES game that tackled racism and a Guitar Hero sequel that never happened— wasn't just manifested in button presses. It merged the physical and virtual worlds of play in a series of exhibits that sprang from the mind Katamari Damacy creator Keita Takahashi.

Through 5 interactive Chrome Experiments, Web Lab explores the extraordinary workings of the internet. Each experiment explores and demonstrates a different web theme. Worldwide visitors both online and offline will be able to play live music together, launch data into cyberspace and trace where images on the web actually live, see how robots can see people, and get teleported to unexpected places all over the world.