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Letting go the Strings of Servitude October 23, 2008

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Pandos

That’s right, folks, I quit my job at Bonnier. No more PopSci, no more corporate life.

Somehow I thought our friend Jonathan (above) working his VCRs and television sets helped get that message across. As Pandos, instead of fighting against modern technology, just letting a couple of simple magnetic tapes play serves as a more entertaining picture than a single curated stream.

My life working at Bonnier had become a lifestyle – long days (and nights), spending all day in the same place doing the same thing. I couldn’t even take 7 months of that.

So now what?

I’ve got a couple of freelance things lined up that should bring in the next month’s income alright, but I don’t want another hourly job. Here are some ways I plan on keeping myself distracted:

To all my Bonnier peoples, I will keep in touch. Let’s do lunch! Blackwater BBQ?

To everyone else, it’s good to be back!

BarCamp Tampa and BarCamp Chaos 08 October 14, 2008

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the first BarCamp Tampa was lots of fun – there are some posts and freshly edited wiki pages over at the Tampa group on Florida Creatives.

We had a great event last night. Some fun talks and some serendipitous moments. We even had one guy from Orlando, never heard of BarCamp, came up and started talking to us and then did his own talk.

Presentations

Mike Anello has a recap of all the sessions on his blog.

I am hoping to have some slides from my Drupal Portfolio talk, but that should come later. It will likely show up over at Drupal Easy.

BarCamp Chaos 08: Monday October 7, 2008

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Create Chaos 08 at Marriott World Center
8701 World Center Dr, Grand Ballroom 7B
Orlando, FL, 32821

See map: Google Maps

Register at the BarCamp Wiki

The best conversations happen in the hallway

BarCamp Chaos 08

On Oct 13, 2008 members of the BarCampOrlando community will be organizing an ad-hoc BarCamp session as a part of the Create Chaos conference. Create Chaos 2008 is a five-day creative industry destination event produced to inform, inspire, educate, and connect creative professionals across industries through an all-inclusive event. This ad-hoc session invites participants to control the programming by preparing a 20 minute talk on any creative topic and presenting it to other conference attendees (so, bring your laptop). The fun starts at 6pm.

BarCamp Chaos is free to attend, of course, and all registered Campers will receive free access to the Create Chaos Expo Hall on Oct 13, 2008. You can use the discount code: BARCAMP to get $200 off your tickets, if you’re interested in attending the whole conference.

More about Create Chaos

Create Chaos features several unique industry conferences under one roof, at one time, and takes place Oct 13-17, 2008 at the Orlando World Center Marriott Resort in Orlando, FL. Create Chaos serves as a spark to ignite a new renaissance by bringing together creative professionals across industry boundaries including: graphic design, advertising, film and video production, animation, photography, printing, Web, and publishing professionals. Produced by Brahn Awards & Events and partners, the Create Chaos experience features the following conferences and events: The Creative Suite Conference, Printing+Paper+Packaging Design Conference, The Vector Conference, Stash Theatre, CreativeHeads Job Fair, The Web Design Conference, MGFest, The Pixel Conference, and more.

Grab and print (or link to) a BarCamp Chaos 08 Flyer

Blog Badge:
Bar Camp Chaos 08

Tons of Notes, BlogOrlando Aftermath 3 October 1, 2008

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Party, originally uploaded by funkeemunkeeland.

Folks, I’ve got things to tell you, and things I want your input on. First of all, huge thanks to Tim Welch for his excellent BlogOrlando3 “Best of” post.

Next, I want you to stop reading this post. STOP! Go to the Florida Creatives forum and contribute to this discussion, or start a new discussion about something for which you are passionate.

If you’re still reading, I’ll remind you we have TWO BarCamps coming up. Count them.

BarCamp Tampa Bay is going down in less than two weeks. If you were at the Orlando BarCamp in April, this will seem familiar to you – Tech Day, Media Day. Held at USF’s Business school, Saturday and Sunday, October 11th and 12th. I believe there is a party-bus or a caravan of some kind headed down that way. Check the Twittersphere (92 followers, natch!) or Doterati? for more details.

BarCampChaos held on Monday October 13th, the first night of CreateChaos08 at the Mariott down by Disney World. It’s 10 conferences in one, and one unconference, and bunches of parties, like a certain Internet Marketing and Tech association I know of, and an Advertising and Design Alliance I know of, and a Create Awards, and a Job Fair, and an Expo, and lots more, including $200 off registration if you register for BarCampChaos.

The Florida Creatives website now has 4 feeds for you to pay attention to:

  1. Podcast Feed (original)
  2. Site-Wide Feed (includes groups, events, blogs, forums)
  3. Event Feed (mashed up from all over town)
  4. Comments Feed (in case you don’t prefer emails)

Those of you already subscribed in iTunes will continue to receive podcasts.

Those of you who used feedburner email subscription should keep getting your emails (of the site-wide feed).

The events feed is pulled from the Florida Creatives group on Upcoming.Y!, the Calendar feeds of The Daily City blog, Doterati and the newly-formed Advertising and Design Alliance (I don’t even know where to link for it yet).

The old Florida Creatives Google Groups is going away. I have already closed out new people from joining. With a forum, email subscriptions for feeds and all the other stuff, it should be easy to stay informed.

If you haven’t checked out the Florida Drupal Group yet, please do. Classes are third Saturdays at 1PM in Maitland, and completely worth it. We are talking about putting together a DrupalCamp early next year, so get involved now.

Did you realize that Café Scientifique was today? I sure didn’t, but I’ve been an extremely busy man of late. Chad is organizing some awesome talks down at Stardust, these are not to be missed.

The 2nd Annual ELLA Music Fest is this weekend. Crazy that a year has gone by already. Orlando Scene TV has some vids from last year if you want to know what you’re missing out on.

Orlando Theatre Pot-Luck July 14, 2008

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Back in April, a bunch of local theatre folks got together to have dinner and meet up. Tonight was the second installment in what seems to be a 3-or-4-times-a-year event, held in local theatre spaces. The April 6th pot-luck was hosted by Mad Cow Theatre downtown, and today’s was held in the lobby of the Orlando REP.

From the Wikipedia page on Potluck:

Folk etymology has derived the term “potluck” from the Native American custom of potlatch; the word “potluck”, however, is actually of English origin. It is a portmanteau word formed from (cooking) pot and lucke. The earliest written citation is from 1592: “That that pure sanguine complexion of yours may never be famisht with pot lucke,” Thomas Nashe. As this shows, the original meaning was “food given away to guests”, probably derived from “whatever food one is lucky enough to find in the pot”, i.e. whatever food happens to be available, especially when offered to a guest. By extension, a more general meaning is “whatever is available in a particular circumstance or at a particular time.”

Potlatch is actually a good custom from which to derive this kind of dinner – the potlatch is often celebrated at special events, like births, celebrations of the harvest, and weddings. It is a show of wealth and prosperity, where the person holding the potlatch holds a feast, and trades some prized commodity for things they might need.

The tech community’s BarCamp and the PR and Media community’s BlogOrlando could be seen as a kind of potlatch – we’re trading ideas and experience.

The idea for the Theatre Pot-Luck was originally spawned by local actor John Baker via Elizabeth Maupin’s Orlando Sentinel theatre blog, which is also the best place see announcements for other upcoming events. The Orlando Arts Blog is another good place to check. Apparently, the Orlando Shakes has volunteered to hold the next one in a few months. Right now there is no organizer, it just sort of happens as someone steps up to offer space – which is, in my opinion, as it should be.

With Florida Creatives and BarCamp, the geeks are really fixated on a single person having all the ideas, and I think this is stifling the creativity and experimentation that could be happening if the organizations were more headless. One way we can do that with Florida Creatives is having chapters in other cities, which we are getting going in Melbourne/Brevard now, and hopefully more successfully in Jacksonville some day – the only stopping other cities is an initial organizer.

Yes, someone does have to take the reins, but only until it gains critical mass. Even when I tried to move the Happy Hour to the Fringe Beer tent some of the downtown folks still went to Crooked Bayou looking for their regular 3rd Monday beer-and-tots… funny.

I really meant to take some pictures, but when I was there, I just didn’t see an opportunity.

What goes on at a theatre potluck? Well I talked to Arwen Lowbridge from Fractured Atlas in New York – she’s down here visiting so she could check out Beth Marshall and Tod Kimbro’s My Illustrious Wasteland – they were both also there, along with Betsy Maupin, of course – I ate dinner with them and (for a few minutes) John DiDonna, but he had to run.

Arwen and I waxed delicious about non-GMO, CSA farms, picking your own fruit, and having fresh food delivered to your house. I also had my first face-to-face meeting with Maupin, who said something to the effect of “You look bigger than on the Internet”.

I later moved over to a table with David Almeida , Marcie and Stephen J Miller from Here Be Dragons. There were some interesting threads there too, like one about experimenting with different roles while you’re in school, because once you’re out, you get cast as yourself for the rest of your life. The other hot topic was nudity, since David had done a play at Fringe with an extended nude scene.

I also got to hear about the history of this event, which is really important to me. The more I get into this, I see myself leaning more towards the role of documentarian and historian. I’m actually thinking about shooting a 20-25 minute documentary in a few weeks if I get the logistics figured out – I also hope that I will be able to get the help with editing that I’m hoping for… more on this later.

Looking forward expectantly to the next Pot-Luck – next time I promise to bring something. Betsy’s chicken and David’s brownies were great, and I heard good things about some lo mein and Stephen’s apple pie too.

BlogOrlando, Pleasure Island’s Last Hurrah July 9, 2008

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The dates for BlogOrlando have been announced. Held at Rollins College from Sept 25-27th, with the main event being held on Saturday the 27th (not Friday like previous years). If you haven’t been to BlogOrlando yet, it’s a really fantastic introduction to the world of blogging, and there should be lots of fun surprises this year. Last year there were some great discussions, and a few keynote presentations by folks like Shel Israel and Chris Huer (google their names).

Josh Hallet, the man behind the unconference, says registration should be open soon. You should be able to take care of that at BlogOrlando.com

If you didn’t notice it yet, the very last weekend Pleasure Island will exist is the same weekend as BlogOrlando – as of Sept 27th (I’m assuming it will be open that day) the attractions will all be closed in favor of something more “family friendly”. Considering the number of cameras and recording devices that seem to follow BlogOrlando participants wherever we go, wouldn’t it be nice to have a big blogger party out there at the Island?

Save the Adventurer’s Club! Kungaloosh!

Did you get enough Fringe Crush? May 31, 2008

Posted by Ryan in : Local, Video, , , , , , , , , , ; comments closed

This year I thought I’d employ a bit of science to my Blogging of Fringe – I was worried the site had turned into all Fringe Crush, all the time, and completely about local acts instead of National and International. I was mostly right.

Here are some handy graphs to point out why we suck:
Fringe Crush Wins
Here we see Text only posts at 10%
VoiceMail Reviews and audio at 13%
Any non-Fringe Crush videos at 37%
Fringe Crush takes it home with 41%

My second criticism is that we favored local, and the numbers don’t lie:
Local vs. Otherwise
International 6%
National Acts 13%
On the Fringe 38%
Local Artists 43%

This scale is even graded on a curve, because I counted Bric-a-Brac as national because they’re from Austin, but they all used to live here, and they were produced by Beth. And the only things in the “On the Fringe” category were folks who were not in shows, but many of them have been in the past.

That means we had a distribution like this:
Us and Them
I guess 19% isn’t bad for Long Tail content. I’d like to do better. It’s a mission of mine to keep that number above 20% all the time, so I guess we did pretty well this time.

The Videos and Audio did have some categories we threw them in:
Content Channels
The new Fringe Moments were 11%
The VoiceMail Reviews at only 13%
The favorite Fringe Crush with 41%
Everything else this year with 35%

Also, I was very proud of us when I found out Beth would be presenting a Fringe Crush award for the show with the most crushes. Denna counted up the results, and by no surprise, VarieTease won! I think that’s a challenge to the cast of Oral to do some more campaigning for next year.

One last statistic, of the 32 shows I saw, 55% of them were not local.
Local vs. Otherwise, tickets bought
Again, we’re counting Bric-A-Brac and Parlour Games as National, because they are… sortof.

Final Weekend of Fringe May 23, 2008

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Only 3 more days! (plus Patron’s Pick Day) Looks like When Pigs Fly and Alice in Wonderland have already been announced as Patron’s Picks for their venues, which sort of makes sense. If you’re interested in supporting the Fringe AND seeing TJ Dawe, check out Monday morning at 11:30, when TJ will be performing the Slip Knot.

As we rolled into the weekend last night with some light rain and lots of folks crowding the Shakespeare Center, I noticed three college-looking kids soliciting people for photographs. I walked up to tell them about Blogging Fringe, and it turned out they were the Orlando Metromix “SHOCK SQUAD”! Is Metromix the Sentinel one, that’s going to be changing their name? It’s not CityBeat, is it? It’s one of those. I went to see what coverage they had of the festival, and it was exactly one article – recommendations based on watching the preview. Also, no comments allowed. They asked me to link to them, and in hopes that they link back, here we go.

Check out Orlando Metromix’s Fringe Photoset – lots of familiar faces in there.

Last night, I lost my festival program. Normally no big deal, but this was different – I had written all sorts of notes in my program, marked down page numbers of shows, kept my tickets inside, and started to feel like my program was a treasured item – sort of like a stuffed animal or something, now lost. I checked the Brown Venue, the Blue Venue, the Ticket Booth, and the Garbage Can too, but my program was gone. I went to the box office to get some tickets re-printed ( handy reason for using credit card or the internet to buy your tickets), and proceeded to go through the tickets I did have with the volunteer to make sure I wasn’t missing any others.

Apparently, I’ve seen a lot of shows:

  1. A Brief History of Petty Crime
  2. American Squatter
  3. Boom
  4. *Flamenco con Fusion 08
  5. Galapagos: The Directors Cut
  6. **Here Be Dragons
  7. *Mark Baratelli
  8. Move!
  9. MR. FOX
  10. *Mr. Marmalade
  11. **New Rochelle
  12. On Second Thought
  13. *once upon a time: The End
  14. Oral
  15. Parlour Games
  16. perfectly broken
  17. Power To Pleasing: The Sex Lives of Teenage Girls
  18. *Red, White, and Ignorant: An American Love Story
  19. **Reefer Madness
  20. Shadows In Bloom
  21. Skip Peril and the Players of the Lost Trunk
  22. *Swell
  23. The Boy’s Own Jedi Handbook
  24. *The Bric-a-Brac Vagabond Vintage Variety Show
  25. The Cody Rivers Show presents: Stick to Glue
  26. The Greg Barris Heart of Darkness Rock and Roll Circus
  27. *The Slipknot: A Benefit for the Orlando Fringe
  28. Totem Figures
  29. TV iMature
  30. *Wet
  31. **VarieTEASE: No. 24 Doll Factory
  32. When Pigs Fly

* Indicates shows I have not seen, but I have a ticket for.
** Shows I saw after writing this blog post.

All of these shows (that I have seen) are awesome. Go see them all. If I could only tell you three, I would include The Cody Rivers Show, On Second Thought and Boom (not in that order). I would say Power to Pleasing, but it’s sold out. I continue to tell folks that if they haven’t seen any dance, they MUST go – we always have great dance at this festival, and I’m seeing all of the 5 dance shows this year. Lastly, (not leastly) if you’ve never seen TJ Dawe, Barry Smith, Jimmy Hogg, Greg Landucci, Gemma Wilcox or any of the other out-of-town monologists (like Paul Hutcheson from On Second Thought, mentioned earlier), they are all worth your time and money. This is also not counting Patron’s Pick day, where I plan to see some shows that have floated to the top, but I managed to miss. It should be a fun experience.

What was also a fun experience was getting a random contact from some folks from Rake Theatre down in Boynton Beach – they’re putting on Fluency this week at the Fringe. Apparently, they are wanting to start an all-Florida arts blog – a very ambitious project. I have about 3 such very ambitious projects in my head, in the works with locals, or I at least own the domain name for them.

The South Florida folks’ project is called, of all things, Florida Arts Blog, which is a Wordpress.com site right now, but for some reason the posts about Fringe have disappeared… ::shrug:: Something and someone to watch in the coming weeks and months. I am trying to sell them on Florida Creatives myself, blogging can come later. They’ve also got a link to Mark’s Orlando Arts Blog up there… I wonder if they’ve been emailing him too…?

Other things happening this weekend would be:

Orlando Silent Rave (see a video)
Saturday, May 24th, 5:24PM @ the Green Lawn of Fabulosity

Kite Flying 2.0 with Radio Rickshaw and Greg Barris
Sunday, May 25th 11AM – 5PM @ the Green Lawn on Drunkenness

Zombie March 3.7 with Rich Weirdos and Friends
Saturday, May 24th @ 3PM Park Ave and 5PM Lake Eola

If you know of more cool stuff, leave a comment and we’ll get it listed.

May is a Kickass Month for Arts Events in Orlando May 15, 2008

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Why is May such a great month for holding events? Sure, for our Northern friends, it means the end of bad weather, the opening of roller coaster parks, and a change in the scenery as the trees and flowers start to show their summer colors, but here in Florida, it’s more like the start of the summer’s hot, humid, rainy monotony, the arrival of the tourists, time-share owners, kids on summer vacation, religious zealots protesting Gay Days, and of course, bad drivers in rental cars.

The main reason I look forward to May every year is the arrival of the Orlando International Fringe Theatre Festival (Thursday the 15th through Monday the 26th). Every year, theatre companies, dancers, comedians, clowns, musicians, improv actors, writer/directors, solo acts and large ensembles, exuberant teenagers and road-hardened veterans alike grace Loch Haven Park with their creativity and energy, and Orlando gives every ounce of it (and more) back to them as many of the national and international acts begin their Canadian Fringe circuit, which brings them to a new city every two weeks. Show prices range from free (as in free software) to $10, and all shows require the one-time purchase of a $6 festival button – 100% of your ticket money goes to the artist. This is one of the only unjuried, uncensored events I know of in Orlando outside of a few open-mic nights, and even some of those are passing judgment on the performers (the other best example here is BarCamp).

18 months ago, I started gathering a group of my friends together every third Monday of the month for an event called Florida Creatives Happy Hour (Monday the 19th, 6PM @ Loch Haven Park). Now, those original 8 friends are hardly in the same room, but the group has grown to something resembling a small political party representing the creative professionals and hobbyists here in Central Florida (with a group getting started in Jacksonville as I write this). This month’s Florida Creatives falls during the Fringe Festival, so at 6PM on the 19th we will be descending upon their “Green Lawn of Fabulousness” to have a beer and some soul food and socialize. At 7:45, we will be attending American Squatter, starring Barry Smith, the creator of last year’s sell-out hit Jesus in Montana. Tickets are $10 plus your $6 Fringe button.

Despite the fact that Fringe starts on the same day every year, another festival seems to think they are better than the Fringe, by starting on the exact same day. Yes, the Florida Music Festival runs Thursday the 15th through Sunday the 18th this year, at pretty much every available venue downtown. In past years, you’ve been able to buy a one-time pass that gets you in to all the shows for the whole weekend, as well as nightly passes – buying a ticket to just one show will hardly do such an event justice. The festival also has a short film as well as an art contest, check these out too if you can find the time in between all of the other events happening at the exact same time.

What other events? How about that bizarre craft bazaar held semi-bi-anually at Stardust Video & Coffee, Grandma Party? (Saturday the 17th, 10AM to Sunset) For some reason they opted out of celebrating Earth Day in favor of overlapping with FMF and Fringe this year – the reason why is left as homework for the reader. Actually, if you find out, please try to explain this one to me too. At G-ma Party, you’ll not only find loads of handmade goods, like the cereal-and-eggs inspired work of the Breakfast Bunch, but trendy t-shirts, buckets of buttons, live music by some of Orlando’s best local bands (at least those who are friends with the festival organizers), a bal-looney community pool, and of course rummage piles and raffles.

Not as culturally significant, but still worth a mention, the second ever Florida Drupal User Group meeting will be held at the offices of MindComet in Maitland this Saturday (May 17th, 1PM). Check out the event and any follow-up at groups.drupal.org/florida.

Still more to come in this round-up of events, because I couldn’t write such a blog post without mentioning the Corazon Art and Music Festival being held at the Orlando Brewing Company (Sunday the 18th, starts 1PM, All Day). As I’m writing this I don’t have access to any listings, but I know tickets are $5, and I can give a serious recommendation, as this event is being thrown by Robert and Jonathan from Gamble Records, the folks who brought us the ELLA Music Festival in October. I expect you will see lots of singer-songwriter type acts, and you can trust Robert Johnson’s rolodex to bring you some great music (and art?).

There must be more happening during the next two weeks, but isn’t that enough? Of course, we can’t forget about this Friday (May 16th, 8AM-11AM) and the Likemind Orlando coffee meetup at the Lake Eola Panera Bread. This month there will be free coffee and hopefully a few free copies of a book called Murketing – I don’t have a lot of details about it, but I know the publishers of the book are sponsoring the coffee and snacks all over the US, so they get serious props.

If I’m missing anything here, please leave a shout-out, and I’ll try to include it in the next bulletin. Until next time, have a great May!

Muder We Wrote at Rollins College April 26, 2008

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Where does one begin? I often find that when writing these theatre reviews, it’s a good idea to gather my thoughts, think about what I want to say and in what order; I don’t have time for that, I’m going back to see the last showing in an hour!

I first learned about this production through a friend who helped to workshop the format for this improvised 90-minute board-game inspired murder mystery… she and several other students, under the direction of David Charles, PhD. – Assistant Professor of Theatre and Dance at Rollins College. The whole play is improvised, so there are bound to be some times during such a long show where the scenes may be stronger or weaker – to counteract that, “Dr. David” and his class developed dozens of devices to help them create a sustainable story throughout the length of the show.

We begin at the stately home of a Mr. Phil Reynolds, a successful lawyer with a deceased rich wife. His business partner Toni and spouse Gene the artist will be guests at tonights party, along with his child Bobby and sibling Toni, servant Pat, and lifelong friend Dr. Chris. An unexpected guest arrives, and, inevitably, there is a murder! Some classic (yet improvised) scenes are played on the stage of the Annie Russell Theatre, which has been masterfully converted to the perfect setting for these 8 unlikely murderers or murderesses to play out their little drama. You’ll laugh, you’ll scratch your head, and above all you’ll have fun.

I’ve got so much more to tell, but no time to tell it… we continue our recap when I return from the last showing of Murder We Wrote tonight!

**** Continued ****

As the play begins, you see a man sitting at a bar, and as he turns to the audience, he gives us the look the look that says “Are you ready for this?”. At all three showings, David’s entrance gave us a laugh. This audience was ready to have fun. The story is set up as an “exploration of the human psyche” where “a seemingly random series of events” may yield “murderous results”, and the setup for the game begins. Three decks of cards are passed out to the audience and shuffled, then used to select a victim, a murder weapon, a location and… the murderer. The recited banter during this section kept us paying attention, instead of looking down at our “ballots” where we would later guess whodunnit. Only the Assistant Director and the killer know all the details of the crime before the final moments of the play when a confession is yanked out of the murder him or herself.

Once the setup is done, we the audience have also suggested a song title, a nervous habit, an annoying catch phrase, and several other ways for the players to use to make us feel as much like the writers of the story as the people on and off stage. Just before, however, is perhaps the most exciting part: the character cards are shuffled, and 7 of the 8 roles are completely randomized by members of the audience. All the parts are non-gender specific, including the married couple, and relationships between siblings and children. Even the order of entrance for the characters is ever-changing, decided by the backstage team of a dozen or more people who are constantly feeding the actors suggestions, props, cues, even their catchphrases, and reconciling any plot holes during intermission. There are countless challenges for the lighting and sound team as well, and opportunities for them to drive the story as much as anyone down at the stage level.

The most rewarding parts of the show come in the second act, where the details of the murder are spoon-fed to us at fixed intervals (or as much as can be with an improvised show). We already know the victim before we take the intermission and make our guesses, and immediately after, the location of the murder is revealed. I don’t know to give credit to one person for this, or the whole team of students, along with Dr. David who playtested and researched this last summer, but there is some expert game design at work here.

Then someone suggests “we should split up and search the house”, and each of the 8 characters takes one of the doors leading to various wings and levels of the house, only to frantically burst out of the door in a ballet of “who am I on stage with, and what do we do now?”, the inner workings of which I know is my job to keep a secret, but congratulations to J. Hannah White, the lighting designer for her brilliant stroke on that one. There’s also a more traditional improv game set up in the coat closet, at the bar, and up on the balcony, where the players pass lines to each other like a hot potato that is always unpredictable and fun. It’s these sort of moments that make us forget we’re watching the story being written in real-time.

Last but not least, all the cast re-assemble in the main hall to try and figure out for themselves who the murderer is. Things at this point can get rather tense, and apparently, a wrestling match broke out during this scene on Friday between actor Seth and Dr. David. The atmosphere teeters on melodramatic as actors are eliminated, concealed weapons are pulled, dead bodies lie on the couch and revealing letters are read… or none of these things happen and they just wing it, it’s really different every night.

What’s that? Sorry you missed it? I feel sorry for your too. This show could run every night down on International Drive if the team were so inclined. I don’t remember how much of Sleuths Dinner Theatre is improvised, maybe I’ll have to go back and do some post-game research. So far, the closest things I’ve seen to this level of story plus improvisation in such a long form are The Adventurer’s Club at Pleasure Island, which I would consider a distant script-heavy cousin of Muder We Wrote (all the endings are decided, most of the jokes and songs are repeated, but the cast is always changing), and SAK Comedy Lab’s The Early Show, which plays every other Friday at Midnight, and is completely improvised with no backstage magic, just the performers left to their own devices.

What makes these other productions around town the same or different from this show? In Murder, we the audience are all following this global discovery as we ourselves and the rest of the actors and around-stage hands and minds try to figure out the story. In regular improv or something more scripted, we either have a better or worse idea of where the ending is. We have an idea of how we think it could happen, and the several dozen people actually driving do as well, but there’s no way to know until the last possible moment when the killer reveals his or her secret and we have a collective pay-off. There’s lots more to say about what’s happening here and how they pulled off the format, but then this would be getting into research paper territory, and I’d need to start giving examples from other historic or contemporary works, and… well, we’re only blogging here!

I’ve never taken a theatre class in my life, and I graduated from UCF 4 years ago (almost to the day), but my biggest takeaway from this was a desire to enroll at Rollins under Dr. David Charles. You can tell everyone involved on this play was having such a great time, and the fact that people were coming back to watch a second, third, or even more showings is a testament to the fun and intrigue of this production, and the charm exuded by David and his cast. Congratulations to Megan Borkes, Ana Eligio, Joseph Bromfield, Chelsea Dygan, Erica Leas, Seth Strutman, Emily Smith, Roberto Pineda, Michael Neil Mastry, Danny Tuegel, Liz Weisstein, and Rob Yoho, along with all the other cast and crew, on an excellent run.