Petentials Reviewed by Amber and Leo June 8, 2008
Posted by Ryan in : Tech, Site News, Markteting, Podcasts, Links, Reviews, Web Sites, Entrepreneurship, itunes, Petentials, Social Networking , 4 comments
Hooray for Google Alerts, and my media habits. A few days ago, I got an email from the google (now with a new and un-improved favicon…blech). This email linked to a blog post that linked to a podcast, and that was exciting.
The blogger was Kym Huynh, one of the hosts of a brand-new podcast called Best of the Net. In their first episode, The Google Bar, the topic was Pets, and the first story was Petentials, which is just amazing.
Then as I’m listening to some of my weekly podcasts, I noticed something even more amazing.
Every week, Amber MacArthur and Leo Laporte sit down to talk about the latest happenings on the Internet. A few weeks ago, they were complaining about not having any guests, so they solicited the audience to email in if they had a web startup. Being the faithful listener that I am, I had to tell them about Petentials. I really thought they’d have thousands of suggestions like this every week, so I didn’t exactly expect to hear anything too soon, but…
I was listening to this week’s Net @ Night, “Tiffany Roll”, and when Amber got to the letters, I heard her say “This week’s letter is from Ryan Price in Orlando…”
Excuse me?
…and then they talked about Petentials for the next several minutes. I stopped right where I was standing and smiled the biggest smile. Right after that I called Darren and told him the good news.
Let’s keep the good vibes going - I know lots of you folks out there have podcasts and blogs - how would you like to feature a new social network that has been covered by Leo Laporte and Amber MacArthur? Yeah, I thought so…!
Listen to net@night 55: Tiffany Roll (RSS, iTunes)
Listen to Best of the Net 1: The Google Bar (RSS, iTunes)
Looking at the dates that these were released, I almost wonder if the Best of the Net show heard about us via the live stream that Amber and Leo do over at TwitLive.TV while they are taping the show. If so, that makes for a great follow-up to my previous post.
This is Internet TV May 31, 2008
Posted by Ryan in : Tech, Podcasts, Video, Reviews, TV, Trends , add a comment
I’ve been hearing Leo Laporte talk about setting up his video streaming for weeks now, but he’s constantly down-playing the awesomeness of the whole thing. Today I finally had a few spare moments to check it out, and I have to say that this is what Internet TV is supposed to be. He’s got some great cameras and awesome lighting, and apparently he’s able to have guests in the studio as well.
This is every podcaster’s dream - you get to time-shift your shows, but you can have interactive features and discussion during the recording - there is a chat room under the video window at all times with a deluge of rolling comments from the TWiT Army.
Maybe Leo is a fluke because of all of his built-in celebrity, but I’m just happy he’s making this happen, paving the way for the little guys.
Nice work.
This is a full-sized version of the video stream - that’s just a pretty thing - it looks and sounds fantastic.
Final Weekend of Fringe May 23, 2008
Posted by Ryan in : Blogging, Orlando, Links, Events, Reviews, Fringe, OrlandoScene, Theatre, bloggingfringe , 1 comment so farOnly 3 more days! (plus Patron’s Pick Day) Looks like When Pigs Fly and Alice in Wonderland have already been announced as Patron’s Picks for their venues, which sort of makes sense. If you’re interested in supporting the Fringe AND seeing TJ Dawe, check out Monday morning at 11:30, when TJ will be performing the Slip Knot.
As we rolled into the weekend last night with some light rain and lots of folks crowding the Shakespeare Center, I noticed three college-looking kids soliciting people for photographs. I walked up to tell them about Blogging Fringe, and it turned out they were the Orlando Metromix “SHOCK SQUAD”! Is Metromix the Sentinel one, that’s going to be changing their name? It’s not CityBeat, is it? It’s one of those. I went to see what coverage they had of the festival, and it was exactly one article - recommendations based on watching the preview. Also, no comments allowed. They asked me to link to them, and in hopes that they link back, here we go.
Check out Orlando Metromix’s Fringe Photoset - lots of familiar faces in there.
Last night, I lost my festival program. Normally no big deal, but this was different - I had written all sorts of notes in my program, marked down page numbers of shows, kept my tickets inside, and started to feel like my program was a treasured item - sort of like a stuffed animal or something, now lost. I checked the Brown Venue, the Blue Venue, the Ticket Booth, and the Garbage Can too, but my program was gone. I went to the box office to get some tickets re-printed ( handy reason for using credit card or the internet to buy your tickets), and proceeded to go through the tickets I did have with the volunteer to make sure I wasn’t missing any others.
Apparently, I’ve seen a lot of shows:
- A Brief History of Petty Crime
- American Squatter
- Boom
- *Flamenco con Fusion 08
- Galapagos: The Directors Cut
- **Here Be Dragons
- *Mark Baratelli
- Move!
- MR. FOX
- *Mr. Marmalade
- **New Rochelle
- On Second Thought
- *once upon a time: The End
- Oral
- Parlour Games
- perfectly broken
- Power To Pleasing: The Sex Lives of Teenage Girls
- *Red, White, and Ignorant: An American Love Story
- **Reefer Madness
- Shadows In Bloom
- Skip Peril and the Players of the Lost Trunk
- *Swell
- The Boy’s Own Jedi Handbook
- *The Bric-a-Brac Vagabond Vintage Variety Show
- The Cody Rivers Show presents: Stick to Glue
- The Greg Barris Heart of Darkness Rock and Roll Circus
- *The Slipknot: A Benefit for the Orlando Fringe
- Totem Figures
- TV iMature
- *Wet
- **VarieTEASE: No. 24 Doll Factory
- When Pigs Fly
* Indicates shows I have not seen, but I have a ticket for.
** Shows I saw after writing this blog post.
All of these shows (that I have seen) are awesome. Go see them all. If I could only tell you three, I would include The Cody Rivers Show, On Second Thought and Boom (not in that order). I would say Power to Pleasing, but it’s sold out. I continue to tell folks that if they haven’t seen any dance, they MUST go - we always have great dance at this festival, and I’m seeing all of the 5 dance shows this year. Lastly, (not leastly) if you’ve never seen TJ Dawe, Barry Smith, Jimmy Hogg, Greg Landucci, Gemma Wilcox or any of the other out-of-town monologists (like Paul Hutcheson from On Second Thought, mentioned earlier), they are all worth your time and money. This is also not counting Patron’s Pick day, where I plan to see some shows that have floated to the top, but I managed to miss. It should be a fun experience.
What was also a fun experience was getting a random contact from some folks from Rake Theatre down in Boynton Beach - they’re putting on Fluency this week at the Fringe. Apparently, they are wanting to start an all-Florida arts blog - a very ambitious project. I have about 3 such very ambitious projects in my head, in the works with locals, or I at least own the domain name for them.
The South Florida folks’ project is called, of all things, Florida Arts Blog, which is a Wordpress.com site right now, but for some reason the posts about Fringe have disappeared… ::shrug:: Something and someone to watch in the coming weeks and months. I am trying to sell them on Florida Creatives myself, blogging can come later. They’ve also got a link to Mark’s Orlando Arts Blog up there… I wonder if they’ve been emailing him too…?
Other things happening this weekend would be:
Orlando Silent Rave (see a video)
Saturday, May 24th, 5:24PM @ the Green Lawn of Fabulosity
Kite Flying 2.0 with Radio Rickshaw and Greg Barris
Sunday, May 25th 11AM - 5PM @ the Green Lawn on Drunkenness
Zombie March 3.7 with Rich Weirdos and Friends
Saturday, May 24th @ 3PM Park Ave and 5PM Lake Eola
If you know of more cool stuff, leave a comment and we’ll get it listed.
Where’s the Fringe discussion? May 20, 2008
Posted by Ryan in : Blogging, Reviews, Newspaper, OrlandoSentinel, bloggingfringe , 3 commentsAs it is every year, we post dozens of articles on this site, and everyone reads the Sentinel blog… I love what they’re doing over there, I just wish we had a little of their budget, standing in the community, or the built-in reputation that you get from being a year-round player in this game. If I could pay five seven bloggers, this would be a different world indeed.
As long as you’re comfortable with using your real name (and everyone should be by now), you can go participate in some of the conversation over in Maupin-Land, a magical place where they’ve never heard of video or photos.
The best conversations every year take place at the Attention Must Be Paid blog, and there are invariably a few posts with dozens of comments, like this one entitled “From the Fringe: What’s Good?” (24 comments). Then there’s one that’s pretty much the same idea called “What’s Fab about the Fringe?” (15 comments) — I fail to see the difference between the two posts.
Other posts have garnered between 4 and 6 comments, like the reviews of When Pigs Fly, The UnNaturals, Tod Kimbro, Blues: A Handbook for the Future Homeless, and of course Galapagos, which appears to be this year’s “best kept secret”.
Actually, I’m surprised we don’t have an 80-comment war happening - maybe they’ve lost their edge. We never had it to begin with, it seems.
Sure, the Sentinel claims to have a “Complete Fringe Festival Coverage” page, but all they did here was repurpose the same content they created somewhere else (and often not for Fringe), and they don’t even fit all the reviews on one page.
I know they are working with archaic technology, but if you’ve got the budget to hire 8 people to write about it, can’t you get Danny to post a list of all the reviews on one page?
I had some big plans for this year’s Blogging Fringe, but they had to be put on hold while I figure out how to have a full-time job and be “that guy” at the festival. Also, helping out with the actual Fringe website took a few of my ideas and gave them back to the festival, which is as it should be. With any luck you’ll notice Blogging Fringe coming out of the beta-testing period next year with a critical extra feature that I guarantee the Sentinel and the Weekly wouldn’t touch with a 10-foot pole: publicly editable pages for all the shows so we can have all the videos, links to reviews editable by anyone so we can have a for-real community site.
Actually, next year, there may be a completely different concept out there, but that depends on several factors and some collaborations I have in the works with Katie Ball. Look for some fun stuff on the horizon.
Orlando Fringe Begins! May 16, 2008
Posted by Ryan in : Orlando, Events, Reviews, Fringe, floridacreatives, bloggingfringe , add a commentLast night was the first day of shows for the 2008 Orlando International Fringe Theatre Festival, and I must say the Fringe has got a lot of great stuff going on! So many wonderful shows, both from Orlando regulars and some new folks as well - there’s even a show that takes place in the women’s bathroom! No matter what happens at this year’s festival, you’ll be sure to find daily updates at http://www.bloggingfringe.com
First thing you’ll notice is that the size of “The Green” has about tripled in size, with the Beer Tent remaining the center of attention. Because of the Fringe Membership drive and the special treatment for VIP members, beer/wine tickets are now $4 each, but I’ve seen some folks getting $1 off with their badges.
I saw Voci Dance’s “Perfectly Broken” at the Red (outdoor) Venue at the Orlando Shakes (the old beer tent location, and I think this is such a great use of this space! Even if the conflicts with the Orlando REP are resolved next year, I still would love to see this extra venue stick around or replace the old Red Venue, which was so tiny and hard to find.
Voci didn’t disappoint either, with an all-new show - lots of solos, more dance pieces that tell short stories over the course of two or three pieces, a live two-piece band and some really amazing dancing. I also liked the “Vocitini” table they had set up outside.
Some cool things to check out are Tod Caviness’ Poetry Vending Machine - $5 gets you a custom-written poem by one of the poets in residence. Also check out the Saturday night Poetry Smackdown events.
Another interesting addition is the Digi-Dada Theatre - Mark Biddle from The Office Art Gallery has written a series of short skits for Fringe Patrons to perform on camera in his mini-TV studio at the Shakes Fest, and he will be compiling the clips into a longer surreal piece to show off sometime soon.
Check out both Tod and Mark talking up their respective projects over at bloggingfringe.com/category/video/
I also went to the opening night of Gemma Wilcox’s “Shadows in Bloom”, which feels like a prequel to last year’s “The Honeymoon Period is Officially Over”. I’d like to ask Gemma and see what she has to say about this. Lots more characters, and lots more Gemma!
We are just getting started, but there is one more thing I’d like to mention - anyone and everyone has the ability to get their 15 minutes in this year, thanks to Blogging Fringe. I will be syndicating blogs - it’s simple and you get to keep all the publicity! Just send me a link to your blog or your blog’s feed - I’ll filter out posts that mention the Fringe Festival and re-post them to Blogging Fringe. When people check out the most recent posts on the site or do a search, they’ll see your posts, but when they click the links, they are directed to your blog, so you get to keep all the comments and maybe make some new friends in the process. Contact me through www.BloggingFringe.com or MySpace/Facebook to get listed as a Contributor.
Last but not least, come join the Florida Creatives on Monday for a visit to the beer tent and some socializing - we’ll be there from 6PM until 7:30, then we’ll head to the Shakes for Barry Smith’s show, American Squatter.
Hope to see you all out at Loch Haven Park this week! Happy Fringe!
3 UI Design Books for Your College Class May 7, 2008
Posted by Ryan in : Tech, Reviews, Books, Design, Web Sites, Graphics, interface, Teaching , 1 comment so farMy friend Jake called me a few days ago to tell me he will be teaching a User Interface Design class at Ferris State University in Grand Rapids, MI next Fall. After my congratulations, he asked me to help him pick out a textbook for his students. Here were my suggestions:
I loved this book from the moment I picked it up and learned why the iPod makes us happy - it’s the Golden Proportion, or the Golden Rectangle, as some might say. Then, at the bottom of that page, you get “links” to some other design topics you may find helpful when discussing the Golden Proportion, like The Rule of Thirds. Anyone who designs anything, from software to hardware and anything between, needs a copy of this book.
I told Jake to have a copy of this book around for the class to reference, but I wasn’t sure if they all needed one.
This is the one book out of these three that I don’t own… yet. I saw this in the book store while searching for a book about Processing, so you can also find it near the graphics books. Information Design is the name of the game, and Mr. Tufte has some of the most beautiful and useful designs you will ever see. He even goes in to how they displayed and photographed some of his sculpture outdoors. Absolutely breathtaking.
This book would be a great resource for a Level II UI Design class, but I think it is perhaps too detailed for beginners.
I’ve heard a lot of folks tout Don’t Make Me Think
Since my friend was looking for a book about UI Design, I found this on my shelf and made my final recommendation to use Eric Eaton’s book for his class.
Design Whys starts out by telling you what this Interface Design stuff is all about, and walks you through specifying and planning a project. Then you get an introduction to the common UI elements: links, buttons, form elements; what makes a link clickable, colors, designing for different browsers and devices, why use a link vs. a button, basic typography. The section on Advanced Interface Elements breaks us out of what’s normally possible on the web to cover things that would now be considered AJAX-y forms, applications, metaphorical interfaces, and custom or experimental UI elements, like those created with DHTML, Flash or 3D.
After the first 200 pages of the book, he launches us into a case study of some useful websites (at least as they were in 2003). The sites in the book are no less useful, beautiful, or innaovative than they were 5 years ago, though. It’s interesting to take a look at what folks were doing back then that the world still hasn’t caught up with. We seem to be constantly wanting to homogenize the experience (maybe I’m guilty of that as well). There’s room to be daring on the web, and I don’t mean large fonts, pastels, and rounded corners.
I hope Jake takes my suggestions to heart and picks the best candidate. If you have a UI design book you swear by, or you have a comment or question about one of these books, I’d love to hear it.
Hacking as Art April 28, 2008
Posted by Ryan in : Reviews, Books, floridacreatives, Arts, Programming , 2 commentsLast week, I started the discussion of programming as a form of creative expression with some of the kids at work, and Kevin pointed us to John Littler’s Art and Computer Programming article. That led Eric to post a link to Paul Graham’s essay on Hackers and Painters, which I gobbled up and loved.
Again, I’ll say that I don’t like the use of the word renaissance, since the medium itself has hardly affected 5 generations of men and women. This next wave where we move toward semantic web and a mixture of online and offline applications shows lots of promise, but I won’t agree that this era can be referred to as a rebirth for many years to come, when I’m old and I’ve had some time to look at it from a distance.
Just that first essay where Paul talks about getting a day job and hacking at night is certainly how I’ve always felt about podcasting - I love it, and I’d love to get paid for it, but to do it 40 hours a week would really feel like implementing someone else’s plan instead of creating the art myself.
From Paul Graham’s original Hacking and Painting essay:
If a hacker were a mere implementor, turning a spec into code, then he could just work his way through it from one end to the other like someone digging a ditch. But if the hacker is a creator, we have to take inspiration into account.
I say this all the time, but one reason why I think so many folks at the Florida Creatives Happy Hour are programmers is because of the nature of the medium. We hack in our spare time, we release the apps quietly, thousands of people anywhere in the world may use and love the results of our labors of love, but we don’t get to see them face to face - painters, filmmakers, actors, poets, all have the ability to be present with their audience the first time they experience it. Television and radio are more removed. Web apps further still. We crave that human interaction, and the validation you can only get from your peers and your audience. That’s why all the hackers are there.
One of these days I’ll get some Processing projects going, and have some literal art created by a hacker to show off. When I get some free time, you’ll see. Whenever that happens.
Muder We Wrote at Rollins College April 26, 2008
Posted by Ryan in : Orlando, Reviews, Trends, Games, OrlandoScene, Storytelling, Theatre, bloggingfringe, Rollins , add a commentWhere does one begin? I often find that when writing these theatre reviews, it’s a good idea to gather my thoughts, think about what I want to say and in what order; I don’t have time for that, I’m going back to see the last showing in an hour!
I first learned about this production through a friend who helped to workshop the format for this improvised 90-minute board-game inspired murder mystery… she and several other students, under the direction of David Charles, PhD. - Assistant Professor of Theatre and Dance at Rollins College. The whole play is improvised, so there are bound to be some times during such a long show where the scenes may be stronger or weaker - to counteract that, “Dr. David” and his class developed dozens of devices to help them create a sustainable story throughout the length of the show.
We begin at the stately home of a Mr. Phil Reynolds, a successful lawyer with a deceased rich wife. His business partner Toni and spouse Gene the artist will be guests at tonights party, along with his child Bobby and sibling Toni, servant Pat, and lifelong friend Dr. Chris. An unexpected guest arrives, and, inevitably, there is a murder! Some classic (yet improvised) scenes are played on the stage of the Annie Russell Theatre, which has been masterfully converted to the perfect setting for these 8 unlikely murderers or murderesses to play out their little drama. You’ll laugh, you’ll scratch your head, and above all you’ll have fun.
I’ve got so much more to tell, but no time to tell it… we continue our recap when I return from the last showing of Murder We Wrote tonight!
**** Continued ****
As the play begins, you see a man sitting at a bar, and as he turns to the audience, he gives us the look the look that says “Are you ready for this?”. At all three showings, David’s entrance gave us a laugh. This audience was ready to have fun. The story is set up as an “exploration of the human psyche” where “a seemingly random series of events” may yield “murderous results”, and the setup for the game begins. Three decks of cards are passed out to the audience and shuffled, then used to select a victim, a murder weapon, a location and… the murderer. The recited banter during this section kept us paying attention, instead of looking down at our “ballots” where we would later guess whodunnit. Only the Assistant Director and the killer know all the details of the crime before the final moments of the play when a confession is yanked out of the murder him or herself.
Once the setup is done, we the audience have also suggested a song title, a nervous habit, an annoying catch phrase, and several other ways for the players to use to make us feel as much like the writers of the story as the people on and off stage. Just before, however, is perhaps the most exciting part: the character cards are shuffled, and 7 of the 8 roles are completely randomized by members of the audience. All the parts are non-gender specific, including the married couple, and relationships between siblings and children. Even the order of entrance for the characters is ever-changing, decided by the backstage team of a dozen or more people who are constantly feeding the actors suggestions, props, cues, even their catchphrases, and reconciling any plot holes during intermission. There are countless challenges for the lighting and sound team as well, and opportunities for them to drive the story as much as anyone down at the stage level.
The most rewarding parts of the show come in the second act, where the details of the murder are spoon-fed to us at fixed intervals (or as much as can be with an improvised show). We already know the victim before we take the intermission and make our guesses, and immediately after, the location of the murder is revealed. I don’t know to give credit to one person for this, or the whole team of students, along with Dr. David who playtested and researched this last summer, but there is some expert game design at work here.
Then someone suggests “we should split up and search the house”, and each of the 8 characters takes one of the doors leading to various wings and levels of the house, only to frantically burst out of the door in a ballet of “who am I on stage with, and what do we do now?”, the inner workings of which I know is my job to keep a secret, but congratulations to J. Hannah White, the lighting designer for her brilliant stroke on that one. There’s also a more traditional improv game set up in the coat closet, at the bar, and up on the balcony, where the players pass lines to each other like a hot potato that is always unpredictable and fun. It’s these sort of moments that make us forget we’re watching the story being written in real-time.
Last but not least, all the cast re-assemble in the main hall to try and figure out for themselves who the murderer is. Things at this point can get rather tense, and apparently, a wrestling match broke out during this scene on Friday between actor Seth and Dr. David. The atmosphere teeters on melodramatic as actors are eliminated, concealed weapons are pulled, dead bodies lie on the couch and revealing letters are read… or none of these things happen and they just wing it, it’s really different every night.
What’s that? Sorry you missed it? I feel sorry for your too. This show could run every night down on International Drive if the team were so inclined. I don’t remember how much of Sleuths Dinner Theatre is improvised, maybe I’ll have to go back and do some post-game research. So far, the closest things I’ve seen to this level of story plus improvisation in such a long form are The Adventurer’s Club at Pleasure Island, which I would consider a distant script-heavy cousin of Muder We Wrote (all the endings are decided, most of the jokes and songs are repeated, but the cast is always changing), and SAK Comedy Lab’s The Early Show, which plays every other Friday at Midnight, and is completely improvised with no backstage magic, just the performers left to their own devices.
What makes these other productions around town the same or different from this show? In Murder, we the audience are all following this global discovery as we ourselves and the rest of the actors and around-stage hands and minds try to figure out the story. In regular improv or something more scripted, we either have a better or worse idea of where the ending is. We have an idea of how we think it could happen, and the several dozen people actually driving do as well, but there’s no way to know until the last possible moment when the killer reveals his or her secret and we have a collective pay-off. There’s lots more to say about what’s happening here and how they pulled off the format, but then this would be getting into research paper territory, and I’d need to start giving examples from other historic or contemporary works, and… well, we’re only blogging here!
I’ve never taken a theatre class in my life, and I graduated from UCF 4 years ago (almost to the day), but my biggest takeaway from this was a desire to enroll at Rollins under Dr. David Charles. You can tell everyone involved on this play was having such a great time, and the fact that people were coming back to watch a second, third, or even more showings is a testament to the fun and intrigue of this production, and the charm exuded by David and his cast. Congratulations to Megan Borkes, Ana Eligio, Joseph Bromfield, Chelsea Dygan, Erica Leas, Seth Strutman, Emily Smith, Roberto Pineda, Michael Neil Mastry, Danny Tuegel, Liz Weisstein, and Rob Yoho, along with all the other cast and crew, on an excellent run.
Giving the client what they need, not what they ask for April 10, 2008
Posted by Ryan in : Markteting, Cervo, Reviews, Trends, Books, Design, Restaurants, Web Sites, Teaching, Storytelling, Programming, Freelance , 2 commentsJust now I was buying a new domain name because of a misprint in my AXIS interview - it’s probably a common mistake, so it was worth the $7.
Anyway, there was an ad for some wannabe-posh restaurant on I-Drive - “Bola”. link
OK, seriously, who has a flash website that plays music? With late-90’s slideshows?
I also love that when I link to the “blog” - check out the design they chose for that. All of the posts on said blog have this huge text right below the title and right next to the very stale and infrequent date of the posts - “No Responses”.
Way to go on the authenticity, D*****bags! It’s not the designer’s fault, there was a breakdown in communications. Somebody has also dropped the ball on doing a follow-up with the client once the dist settled.
If you really want to create a compelling experience on a website these days, I think the only option is to use video. If your restaurant is so “high-end”, hire a damn video crew to come out once in a while and throw THAT on your site - or maybe even your non-blog.
Check out some of the stuff MindComet is doing, for example. They don’t mess around. I can’t say I always love every site they put out, but they know their strengths. I definitely appreciate the need for experienced marketing folks working along side talented designers and developers. I don’t slight the person who created this project, they just had too many things to think about all at once.
I’ve recently been re-reading a book by one of my role models - Hillman Curtis. It’s called MTIV: Process, Inspiration and Practice for the New Media Designer
I actually had “New Media Developer” printed on my business cards for a while, and people would ask “What does that mean?” I’m sad to say I didn’t have a story for them at the time, but now I think I’d have a thing or two to say about it.
In MTIV (Making the Invisible Visible), Hillman, who is a world-renowned designer with clients like Adobe and bestselling bands on his client list, tells you how he gets his work done. In fact, all of his books are like that - he goes through his creative process. He’s got some steps, he identifies the goals at each step, and he gives lots of anecdotal support. He’s clearly been working at a very high level for a long time.
People who have read this book and really understand it would have never designed that site for BOLA - at least not in the last 18 months or so.
However, even at a job I had for a couple of weeks managing an online store for a print shop, I not only had to put my propeller hat on, but my marketing/customer/business hat on, and normally the propeller hat gets priority. That means I’m donating 40% at best to thinking “is this even a good idea, does this communicate the message, will visitors understand the story?”
Then a few weeks later, I’ve started writing code, laying out the homepage, or what have you, and it hits me - THIS SUCKS! Did I design this? Then I remind myself I’m “not a designer” (which is bollocks because I’m always calling myself a “front end guy”), and I come to terms with the reality of the situation. We’re not communicating effectively here, we’re masturbating and pretending the result was a web page.
How do we fix it? Drive back to Sanford, tell the client “I’m sorry Mike, I had my head up my ass when I designed this… will you pay me to fix my own mistakes?” Nobody is going to go for that! Sure, you can give them a spiel about ROI and conversions, and maybe wrapped in the warm fuzzy blanket of “SEO”, which might as well be voodoo and divination to most clients, you might even be able to convince them to spend 30% of the original budget doing what you really should have done in the first place, in 15% of the time, without your trusty subcontractors, in your spare time, just so you feel good about work that you’d already written off as “finished”.
No, you can’t fix it. Clients don’t go for maintenance contracts any longer. Most of them don’t even want to pay you for hosting, let alone support.
The ONLY solution is to do it right the first time. That means making checklists, getting your freelancer buddy support system to consult and make sure you’re not leaving any huge gaps (oh, you do have some sort of a peer support system, right?), and above all, making sure you understand what the client needs.
I’m only feeling the slightest bit hippocritical right now, and if you’ve worked with me in the past, and you’re quietly thinking I’m full of shit as you read this, consider this my formal apology for underdelivering. In most situations during my “freelance” (”slacker”) career, I didn’t put 110% to anything work-related, and it wasn’t until my “Tabula Rasa” day (Jan 17th, 2006), that I had even decided to push myself to improve, and it looks like it’s taken about 2 years and 3 months.
So, FullSail grads, budding New Media Designers and Developers, and folks that have been doing this “since the early days”, and are planning on making a concerted effort to create stunning work, every single time, even if it’s for half of your rent money, here are a couple of tips:
- It might take 27+ months to feel as though you’ve arrived
- You MUST make sacrifices in your personal life for professional improvement
- Freelance is not a hobby, it’s making a living. Mom and Dad can’t pay the bills forever
- Go buy a copy of MTIV
- Keep your head out of your text editor (or photoshop) while you’re asking the client how you can work together to effectively communicate the story of his/her business
- Don’t use flash slide shows with music on every page
Video Uploads to Flickr April 9, 2008
Posted by Ryan in : Tech, Podcasts, Orlando, Events, Video, Film, Reviews, Trends, MySpace, photos, Facebook, BarCamp, Storytelling, Viddler, Web Services, Flickr , add a comment
My First Video on Flickr fit the new requirements perfectly: less than 90 seconds, and less than 150MB. That’s fantastic, and the streaming in good, embed codes, tagging, fits right into my flickr photo/video stream, awesome.
The videos on Flickr are going to make YouTube obsolete, or rather, the MySpace to Flickr’s metaphorical Facebook. The content in each place is different. I don’t go to MySpace or YouTube expecting quality, art, or intellectual content of the least kind. However, I know some real life people on Facebook, and some really serious photographers on Flickr.
By creating a constraint like this, the “90-second short film” will gain a place on the internet. I wouldn’t doubt if the next set of consumer-level cameras have an option to limit video clips to 90 seconds to allow for easy Flickr uploading.
…and it is SO easy. The same exact experience as working with a photo - I haven’t tried geotagging, but I bet it works. Now if they can get Viddler-style deep tagging working just like Notes on photos, I’ll be a very happy man.
David is a total goofball, now you can see it at 30FPS. Thanks Flickr!
