Commanding Chaos for Coworking, Open Source and Creative Communities

I'm in Axis Magazine talking about Internet Video

Wed, 04/09/2008 - 02:51 -- rprice

Axis Mag April 2008
No, that's not me in the white suit and glasses.

I was interviewed this month by John Theisen, who runs the Enzian FilmSLAM, the FMF Indie Film Jam, and works for United Arts.

Go pick up the magazine, on Newstands all over Orlando, but here's a teaser:
Axis Mag April 2008
Yes, that's a picture of a network cable next to a planet. I think I was supposed to get John some pics or logos... sorry!

"Ryan Price, producer of OrlandoScene.TV and FloridaCreatives.com has been making his mark in Central Florida's web forums and has tried to add his own quality content to its ever-shifting environment."

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Video Uploads to Flickr

Tue, 04/08/2008 - 19:14 -- rprice

Upload Videos to Flickr

My First Video on Flickr fit the new requirements perfectly: less than 90 seconds, and less than 150MB. That's fantastic, and the streaming in good, embed codes, tagging, fits right into my flickr photo/video stream, awesome.

The videos on Flickr are going to make YouTube obsolete, or rather, the MySpace to Flickr's metaphorical Facebook. The content in each place is different. I don't go to MySpace or YouTube expecting quality, art, or intellectual content of the least kind. However, I know some real life people on Facebook, and some really serious photographers on Flickr.

By creating a constraint like this, the "90-second short film" will gain a place on the internet. I wouldn't doubt if the next set of consumer-level cameras have an option to limit video clips to 90 seconds to allow for easy Flickr uploading.

...and it is SO easy. The same exact experience as working with a photo - I haven't tried geotagging, but I bet it works. Now if they can get Viddler-style deep tagging working just like Notes on photos, I'll be a very happy man.

David is a total goofball, now you can see it at 30FPS. Thanks Flickr!

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Conversation about Orlando Tech Association

Mon, 04/07/2008 - 12:17 -- rprice

...is happening right now over on Robert Dempsey's blog - he gave some highlights from the weekend at BarCamp and some of the many events and discussions around the idea of forming a technology association in Central/all of Florida.

I obviously had something to say, and I think this conversation is headed in a healthy direction. If you want to get involved, please check out Robert's blog and the subsequent comments.

Here are my words:

Florida Creatives is not the tech association, but it could be one option if people get on board. I would love to be involved, and if we end up using Florida Creatives as the name for the organization so be it.

Robert and I have discussed getting a regular conference call together that is recorded so people can listen in and post responses, as well as meetings in person, but I think something like a video or audio recording of these events will help ease everyone’s minds. I think the more open this entire process is, the fewer witch hunts we will see.

Over at FloridaCreatives.com we’re going to be setting up a free tool to help folks get organized, make connections, get a centralized list of events, and have a conversation.

The tools will be similar to those you see on Meetup.com but offered for free to anyone who wants them.

The work we’ve already done starting the wiki will continue with a more user-friendly look and feel, and hopefully the information will become even easier to find, search and import/export. The point is to make the tools free and openly available with a very low barrier to entry.

I’m stoked to hear so many passionate voices. It’s a sign that we’ve arrived as a community and it’s time to take action.

I never wanted to set up Florida Creatives like that and put in all the work until we were ready and it would be easy to get some folks to help us keep the thing running smoothly. This is the sort of thing we can write grant proposals about and gather donations for. Meetup.com's $20/month fee is exorbitant, but they do have to pay the bills.

We've got a volunteer who wants to help with the design, but I'm sure we could use more. I know we have a couple of Drupal nerds in town, I'm willing to train more. Drupal's Organic Groups is really one of the most robust and easiest tools to get this job done, and it will let everyone have a level playing field here.

This is a political movement - the word politics is scary, but creating a group like this means a consolidation of power - from individuals, groups and businesses alike, they all wield some influence, some resources, and often times the larger groups are not submitting higher quality volunteers, or more passionate, or even a larger number than the smaller groups. There's a lot of talk going around about the size of companies, but one passionate and focused person can achieve what a large group of lazy and disagreeable types can.

If we can come to a consensus, philosophically, ethically; set a good example for others to follow, we can be a large group of passionate and focused individuals all going in the same direction.

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BarCampOrlando IZEA Geekout Party

Sun, 04/06/2008 - 17:46 -- rprice

This was how I spend 90% of the time at the IZEA GeekOut Party - talking to Tara Lamberson and Dan Kinchen about a Central Florida Tech Association, or something like it.

Thanks to Ted Murphy for throwing the party - we hope to see you on the 21st for Florida Creatives. Also thanks to Adam Teece for hosting the podcasts.


Also appearing in this video: Ted Murphy, Gregg Pollack and a widdle baby
See more videos by Adam at the GeekOut

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What every small town local bookstore should do

Tue, 04/01/2008 - 16:27 -- rprice

I just finished reading Rent Girl by Michelle Tea. It's a neat little book - half novella and half graphic novel. There are some beautiful illustrations by Laurenn McCubbin in there that were a big reason for my picking up the book in the first place - it just drew you right in, you wanted to know what was up with this young girl from Boston and why she was into being a hooker in the first place - and the back of the book says something about her quitting, but still needing to pay the bills? I'm there.

However Michelle Tea and this book are not the subject of this blog. At least, not directly.

I picked up this indy book at an indy book shop - I was on vacation, visiting Tempe, Arizona, walking to Trader Joe's and Whole Foods, hiking the Grand Canyon, getting yummy sandwiches from the co-op and drinking local beer. And next to the Trader Joe's in the adobe-colored shopping center (really, they all were) was this little book store, Changing Hands.

Wait YUMMY!

Changing Hands Bookstore, Tempe Arizona, corner of McClintock and Guadalupe. There was a cafe, I think, and there was a section up front with fun games - the kinds of stuff you'd see on the bookshelves of Barnes and Noble next year once they hit critical mass. Like all indy book shops, there was a table near the customer service desk with eye-catching books, new arrivals, and the ever-present signed-or-to-be-signed books. And here was Rent Girl. I had spent my time there checking out art books - graphic novels, collections of illustrations, and a couple of re-printed sketchbooks. I always love looking at stuff like that, but I don't ever know what I would do with it. Then there was this illustrated storybook, but with naked girls and lesbianism and drug dealing.

I only read a few pages on the plane, it was too naughty. I actually couldn't wrap my head around this book until recently, somehow I feel that by absorbing some women's media I can try to understand the industry a bit better - things aimed at guys are too easy to understand, low hanging fruit - women's music, film and books are another beast.

But I digress. I want to plant a seed at Changing Hands in Tempe and Urban Think in Orlando and the Bookmine in Jacksonville, and all the other places where you feel proud buying a naughty graphic novel. This advice isn't exactly ground-shaking, but I think it makes sense:

Every small town book shop should:

  1. Print their own books.
  2. Teach classes about how to print your own books.
  3. Sell said hand-made and self-published books.
  4. Sell books by local authors on the internet.
  5. Show and sell art on the walls.
  6. Have free and open wi-fi.
  7. Record video/audio podcasts with visiting authors.
  8. Have a space in-store and online for customers to have a conversation, either about books or what happened on last night's LOST.
  9. Be a place where you want to come to read a book.
  10. Be a place where you would hang out with your friends.
  11. Be the first place you want to visit when you get off of work.
  12. Have space for local groups to hold meetings.

In London I saw a store that only sells Chess and Bridge supplies. They've got the largest selection of that stuff you've ever seen - no big box store could compete. And on the same block is a store that only sells Flutes. I'm told there's a store on the other side of the river that only sells French Horns. Granted, in a big city there is a need for places that specialized, but I think even a small town book store can take some tips from these places.

All Flutes Plus Villandry

I saw another place that was a grocery, bookstore, gift shop and restaurant all in one. They wouldn't let me take pictures in there, it was so unique. They press their own olive oil.

In a certain way, Stardust Video & Coffee here in Orlando has achieved so much of what's on my list, but the utility of the store, renting movies, was not lucrative enough for them, so they opened up to being more cafe-and-performance-space than video rental space. They've recently added a second stage with a strict "no dry-humping" policy, and they also sell hard liquor in addition to their amazing selection of beers, decent wine, tea, coffee, baked goods and original food.

I suppose if there was a local printer, they could achieve something similar without needing to do the actual printing themselves, but I guess that's part of the point of the bookstore, yes?

As a "video and coffee" establishment, I don't see where Stardust is the last word on video other than the selection, but I always felt like I wasn't smart enough to rent there, that the right to rent a film was reserved for someone with a more cultured taste than I. However, the Thursday night Broken Speech Poetry Slam or the local rock shows they have are completely accessible, and I've played drums on stage at Stardust many times. Maybe that's just partly attributed to my training as a musician, but why do I feel I'm below the film?

I guess I'm trying to encourage these book shops to become the Third Place that we are all craving here in Orlando right now. In the land of corporate coffee, the local coffee shop has evolved, mostly in order to survive. I think the local bookstore has a few more steps to take before they're all grown up.

Which bookstores have you noticed fitting into their niche?

...continued...

This is an old meme I found via Tara Hunt and Pinko Marketing. I've been trying to describe local media (or at least the goals of the media I've been trying to produce) and what's supposed to be for sale at Petentials and similar sites. The point isn't to sell 24,000 of an item priced $1 but 1,000 of an item priced $24, let's say.

Boutique (from my mac dictionary): French, literally ‘small shop,’ via Latin from Greek apothēkē ‘storehouse.’ Compare with bodega .

Some people are getting my reference to boutique mixed up with luxury brands. Personally, I wouldn’t be caught dead with Louis Vuitton bag and I’m sure most Boutiquers wouldn’t be either. The difference, as the diagram suggests (and there are many more differences than I quickly plotted in this image) is the motivations for buying. I said, “Bought for connection” because, as Sanford commented in the previous posts comment section:

“People go out of their way to purchase certain goods - like moleskine notebooks - or buy cheese from specific vendors because it broadcasts something about who they are. This statement can be personal/internal, shared with a small audience…”

The "small shop" concept is the feeling I got at Villandry in London - it was right in the heart of downtown, near the international embassy district, but instead of being generic, they were hyper-specialized. It was the kind of place you'd bring your aunts and uncles who were visiting town, to show off the awesome places that can grown up in your backyard, and they'd sit back and go "I would never buy anything in here, but I'm in awe of the place." That's how I feel at Stardust, that's likely how some folks feel in the front room at Dandelion Communitea, or the co-op area at Infusion Tea in College Park. What does it all mean? How did these people come to create this art, or this custom stationery, or eco-friendly teacups, or press their own olive oil? Why are there hundreds of movies I've never heard of, and how in the hell can they organize them by country and director instead of genre? Who does that?

Boutiques do that. The perfect local bookstore would do that.

Villandry Villandry

Take a look at people who use open source software, you'll find the same aesthetic. Hand-made, personalized, specific, and powerful in the hands of a well-informed user, but you don't need to be the guy who wrote it to use it or change it. You think there should be a French translation? That's up to you. A sixth checkbox? Hack it in, contribute it to the repository. Make this the best tool for you, and therefore the best tool for folks who know where to look.

I could go on all night. Maybe I'll go on this weekend at BarCamp. But I don't title it "indy bookstore". What is it?

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BarCampOrlando Downtown April 5th and 6th, 10AM - 6PM

Tue, 04/01/2008 - 02:32 -- rprice

BarCamp Orlando is a weekend for all types of creative folks to come together and share with each other. The event is dubbed an "unconference", a format which derives power from the people instead of the event organizers or the presenters. Everyone has an equal opportunity to get on stage and speak, teach or lead a discussion, playing off of the idea that at any given conference, the people in the audience have more knowledge collectively than the presenter(s) on stage.

This second installment of BarCamp will be held over 2 days, Saturday and Sunday, April 5th and 6th, in downtown Orlando at the Wall Street complex, from 10AM - 6PM each day. Registration is free, and a registration promises a shirt and lunch on the sponsors of BarCamp, businesses who are passionate about the technology and media communities of Central Florida.

Saturday is the designated "Dev Day", playing host to everything from web programming to robot building and video game development and everything in between. iPhone hackers, guys with soldering irons, the latest technologies, and plenty that haven't been realized yet. Every 30 minutes, both venues will have a different talk going on, so if you're feeling lost in the jargon, apply the "rule of 2 feet" and check out what's happening in the other room!

Sunday is dubbed "Media Day", and is the place for storytellers, journalists, writers, designers, filmmakers, musicians, 2D and 3D artists, podcasters, bloggers and social networkers to show off their work, share their tricks or talk about the state of the industry. From 12 to 1 we will be talking about the "Past, Present and Future of Media in Central Florida", hoping to give our community a sense of our story, and where we're headed.

Registration is free, and the event runs from 10AM - 6PM both days with a lunch break at 1PM. The event will be housed in Slingapour's and One-Eyed-Jack's, with Wall St Cantina acting as our "hallway". There will be projectors and microphones, chairs and a space to speak. All you have to do is write your name on the whiteboard and you get 20-25 minutes to share your passions with a group of energetic, engaged geeks and creatives. I would not use the words "captive audience" to describe the BarCamp crowd, because they all want to get involved.

Visit www.barcamporlando.org today and register for Dev Day, Media Day or both days. Wall Street Plaza is at 18 Wall Street Plaza, Orlando, FL 32801 - barcamporlando.org/where has a map to the venue and information about parking.

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The 80/20 Rule and Win-Win-Win

Thu, 03/20/2008 - 18:02 -- rprice

Gary Vaynerchuk talks about a secret that he thinks is at the core of much of his success.

Reposted from: The 80/20 Business rule…..heck Life - my 2 minute take on life

Many folks who were at Future of Web Apps in Miami had nice things to say about Gary V's talk. I've also seen some other really nice videos by this guy on the web, and probably bookmarked them on my Ma.gnolia - check the RSS or link over there to check my bookmarks.

I can't say that Gary has all these ideas himself, and he does credit Kathy Sierra and Tara Hunt at the beginning of his video (google those people if you don't know who we're talking about).

Right, I don't think all his ideas are too super-original, but he has a very large and very rabid audience, and he understands how he got them, and he also presents it in a very down-to-earth manner. There is no barrier to entry for Gary unless you're afraid of spelling his name or people from New York.

I also like how he tells us not to channel Calacanis (or whoever), but just to be ourselves and do it really well and look out for other people.

If you look at your seemingly selfless (my brother would say altruistic) efforts in the ways you are benefiting yourself, the other person and those around you (or you, your partners in business and the community, or you, your fellow artists and the people who enjoy your art), you're going to have not only success, but a great feeling about how you got there.

Win-Win is not enough, you have to look for Win3. For every action, there is an equal and opposite reaction, true, but if you paid attention in physics, there is always a release of heat or some byproduct of the reaction. If you can find the way to set up a reaction with a happy byproduct, everyone wins.

Take Hydrogen Fuel Cells. They last longer, they're sustainable to produce (I think), and the waste product is water. The customers are happy because of the small powerful battery, the business should be happy because they're not working with a limited supply of something like oil, and the people of the world should be happy because there isn't a battery rotting in the ground.

Open source is the same. When everyone is giving 80%, expecting 20%, the products are amazing, the community is healthy and the users of the products are happy. Win-Win-Win.

I can see this especially given my new situation with Petentials. We have all been giving so much for so long, but it's getting so easy to do things now, our vision is getting really razor-sharp, we're having a napalm-like burst of awesome ideas, and we can see the next plateau.

Things are just going really well right now. I have my complaints, but if there was nothing to reach for, I think I would lock myself in my apartment and curl up in a ball for lack of something to do. I am addicted to this stuff, and I'm starting to see the rewards.

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Coworking Tuesdays Photoset

Tue, 03/18/2008 - 18:40 -- rprice

I went on my lunch break today, and those 30 minutes were actually quite fantastic.

Not only Coworking Tuesdays at Stardust, but also Cup-O-Code, the Orlando Coworking article from the Sentinel (about), and Alex on Cow-orking at BarCamp Orlando 2007. End very short slideshow.

There is a reason the slideshow is so short. Outside of Likemind (which has tons of coworking connotations in this town), there haven't really been many documented coworking sessions here. That's what Coworking Tuesdays are all about - adding folks to the mailing list, taking pictures, recording podcasts, making videos, setting up a web site and keeping the wiki up-to-date... and more.

There's lots of almost-happening coworking stuff in downtown Orlando, check out the mailing list for updates about that. This is going to happen before Memorial Day at the current rate, and I'm likely jinxing it by saying anything, but we want interested parties!

Would you pay for some space at a table if someone had their name(s) on the lease and other folks were paying for some desk space too?

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jQuery broken in Internet Explorer? Put your $(document).ready at the bottom!

Tue, 03/18/2008 - 17:44 -- rprice

Tonight at Cup-O-Code, David, Gabe and myself were troubleshooting a little issue with the product page javascript that Gabe uses to update the price as customers select various options. The code wasn't working in Internet Explorer, but since jQuery should be browser agnostic, we had to go back to the drawing board. After David re-wrote my first draft of the code we've got there, we got the function back to a working state in Firefox, but IE was still eluding us, but not really.

We were actually trying to make the script work on two instances of an online store, Futon Planet (FP) and Futons, Etc. (FE). The first site's product page was giving us no Internet Explorer trouble, but the second was behaving very strangely. Then we noticed that FE's javascript wasn't finding returning anything at all.

We used this code to help us debug and see if jQuery could find the value in question:
alert($("adjustedPrice").length());

Which returned a blank pop-up, when it should have been returning "$0.00" instead. The script didn't seem to be finding the value, and when the alert showed up, it was actually drawing the alert before you could actually see the rest of the page.

Apparently IE6 executes $(document).ready() at a different time or in a different fashion than Firefox, and once the javascript faults out it just stops everything.

We moved our $(document).ready() action to the bottom of the page, and everything was just fine after that.

Mission accomplished.

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Welcome Back, Old Media

Thu, 03/13/2008 - 16:53 -- rprice

Here's a quick follow-up to last night's post.

Earlier today, Ryan Block asked:

Why should I be concerned? People aren’t coming to Engadget to read about gadgets from 2006, or 1996, or 1896 — they’re coming to read about what’s going on today. Still, I love that PopSci, so this is gravy!

Ryan is absolutely right. In fact, he's pointed out to me that Engadget does not fill the same void as PopSci. People aren't going to his site for the archive, but rather, the very latest and greatest, and so much so that most of the content on Engadget is exclusive and they are the first ones to post about it. They could probably delete all of their archives older than 3 years and nobody would be able to tell.

Mr. Block also loves that PopSci gravy, which means that it's likely the audience can see those two sites as separate flavors and sample a little of column A, and a little... well, you get it.

I also like how Ryan responded to my post within 9 hours of my writing it. Maybe if I drop Megan Miller's name in here a few times, she will notice it in her Google Alerts too and come check out the blog.

Actually, I really like what Megan Miller of PopSci has been doing with the 5-minute projects on the site. There is certainly some room for improvement, but she mentioned in this week's podcast that PopSci is working with Instructables on these videos, though she didn't say in what capacity.

Mmmm, meta-journalism, hot and fresh! I really feel like I've been writing a story about the story of PopSci these last few days. Both in my Twitter stream with Etan asking about the particulars of my new job, and Jeremy direct messaging me as I drove to the office this morning, and now these past few days on my blog. I'm not the story here, the magazine is, and Megan Miller is, and Jonathan Coulton, and Bonnier, a family company. As are Eric and Seth and Sway, and also the folks over at PingVision. I haven't told the whole story, nor is it in the scope of these blogs to attempt to tell that whole story, just a story around the story.

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